Stage 2: Semifinalists
We are happy to announce that 151 students from 17 countries submitted Proposals for the 2015 BERKELY PRIZE Essay competition. From these submittals, 27 authors from 12 countries have been advanced to the Semifinalist round (Stage Two) of this year’s competition.
Semifinalists are now invited to submit a 2500-word Essay based on their 500-word Proposal. At least five, but up to seven, top Essays will be selected for final judging by this year’s BERKELEY PRIZE Jury. New instructions for this year’s Semifinalists are included below the list of this year’s Stage One winners. Please read these carefully, particularly since they differ from past years.
All authors, whether promoted to Semifinalist status or not, can login to view the Readers’ comments regarding your Proposals.
Semifinalist Winners
Benard Acellam
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Makerere University
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Uganda |
Zahra Mosaddegh Akrami
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Art University of Tehran
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Islamic Republic of Iran |
Melissa Almeida
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Manipal University
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India |
Nadia Asali
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Birzeit University
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Palestine and the Occupied Territories |
Tarun Bhasin and Vineetha Nalla
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School of Planning And Architecture, Bhopal
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India |
Sarat Chandran
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School of Architecture and Planning, Anna University
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India |
Prerna Damani
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Sir J. J. College of Architecture, University of Mumbai
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India |
Anika Dodson
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New Jersey Institute of Technology
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USA |
Rohini Jadhav
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Dr. Bhanuben Nanavati College of Architecture
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India |
Mehrnoosh Khalooghi
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Islamic Azad University of Qazvin, Shahid Abbaspour Campus
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Islamic Republic of Iran |
Kelli Littleton
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Montana State University
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USA |
Leslie Lubowa and Humphrey Agaba
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Uganda Martyrs University
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Uganda |
Meghna Mohandas
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School of Planning and Architecture, Bhopal
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India |
Andreea Movila
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Technical University of Iasi, Faculty of Architecture, G.M. Cantacuzino
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Romania |
Julie Ann Nepomuceno
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University of California, Berkeley
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USA |
Claire Olson
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University of Wisconsin, Milwaukee
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USA |
Dissa Raras
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Universitas Gadjah Mada
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Indonesia
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Rushwanth Raghuram
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Birla Institute of Technology |
India |
Chandana Rajanna and Hanan Tariq Qureshi
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Indian Institute of Technology, Roorkee |
India |
Jennisse Schule
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Montana State University
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USA |
Shovon Shahriar and Asif Emran Khan
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Shahjalal University of Science & Technology, Sylhet
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Bangladesh
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Shruti Shiva
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Kamla Raheja Vidyanidhi Institute of Architecture
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India |
Vaissnavi Shukl
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CEPT University
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India |
Ritu Sara Thomas
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National Institute of Technology, Calicut
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India |
Stefania Tsigkouni
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University of Sheffield
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UK |
Lohita Turlapati
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Balwant Sheth School of Architecture |
India |
Yi Ran Weng
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Dalhousie University
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Canada
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Eman Zied
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Arab Academy for Science Technology and Maritime Transport
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Egypt
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Stage 2 Requirements
We compliment all of the Semifinalists on the extraordinary diversity of ideas and approaches in response to this year’s Question. Such responses indicate the depth of interest in and concern for the social art of architecture. In Stage Two, you are to expand your Proposal into a 2,500 word essay in a very specific way. We want you to focus on the following question:
HOW DOES THE PROJECT YOU HAVE SELECTED WORK WITHIN THE COMMUNITY?
Using only one of the projects you have discussed in your Proposal (or the project, if you only described one), research and reflect on the following issues:
- How do those served feel about the project?
- How do the neighbors in the vicinity of the project feel about it whether they be businesses, homeowners, or renters?
- How does the City in which the project is located feel about the project, both its successes and its disappointments?
- Has the project been recognized locally, regionally, or even nationally in the press or in social media and, if so, to what extent and in a positive or negative fashion?
- As an architect, what about the project would you repeat given a similar opportunity and what would you change?
The first four questions can only be answered by collecting comments from the users, the neighbors, city officials, and looking for and asking about written references concerning the project. The final question can only be answered by you as a result of the information you have collected.
General Information for More Effective Responses
We compliment all of the Semifinalists on the extraordinary diversity of ideas and approaches in response to this year’s Question. Such responses indicate the depth of interest in and concern for the social art of architecture.
In Stage Two, you are to expand upon your chosen topic in 2,500 words. The BERKELEY PRIZE Committee encourages Semifinalists to improve the crafting of their ideas. A few suggestions as to how you can make your Essay more effective for both professional and non-professional readers:
- Before you begin to write the 2,500 word essay, it is essential that you carefully consider the Readers' comments about your Proposal. These comments are meant to help you write a winning essay. Please read your reviewer comments in your Author Portfolio.
- An essay is different from a Proposal. Your Proposal was selected because the Committee believed that it was a good outline that had the potential to be developed into an even better essay on the social art of architecture. You want to do more – much more - than simply re-state your argument. Explore and expand your ideas, the reasons for them, and the conclusions you have reached because of them. Substantiate these thoughts with specific examples.
- In answering the Question, the BERKELEY PRIZE Committee is particularly interested in responses that speak to the general public. If social architecture is to become the norm, rather then the exception, the public must be persuaded of the value of design that reflects human worth. If social ideas are to be realized, rather then simply discussed, the public must be persuaded that there is added value to initiating your idea as opposed to doing nothing. This means selecting a voice that is both your own, and one that is accessible to both serious readers and those who read only the "lead" points.
- Ask a friend to read your essay before submitting it. Better yet, show it to two friends: one, a fellow architecture student; the second, a person not familiar with the discipline or profession. Use their input to revise your draft. If you can prevail on them, ask them to read your revised draft. Ask them how your argument can be made clearer – it always can be.
Illustrations
We ask that you include four (4) digital photographs of images that help describe the content of your essay. Two of these photos can be the images you already posted with your Proposal, but it needs to be re-posted. The photographs should be no larger then 1 MB, and be in .jpeg format. No more then four photographs will be accepted. You can use a digital camera, a film camera (and scan the printed image), or even capture the image on a cell phone and transfer it to your document. There is space provided at the end of the submittal form to upload the images. Space is also provided to number and caption each image.
In selecting these four images, imagine that a publisher or editor of an online blog, or a newspaper, or a magazine have accepted your essay for publication. One of their requirements is that you supply four illustrations that help describe and explain the points made in your essay. What illustrations would you submit that not only provided the basic information about your topic, but also help further your written arguments? As part of this process, refer to these illustrations at the appropriate spots within your essay.
Remember, however, one of the primary purposes of the essay format is to test your skill in describing a situation in words, rather then pictures or drawings. Do not assume that just because you have posted the photographs that your responsibility to carefully describe in words your selected topic is reduced. To the contrary: use the illustrations to support and strengthen your writing.
Improving Your Writing
You have almost six weeks to produce your essay in final form. Use as much of this time as possible to attempt to actively improve your writing abilities, particularly if English is not your first language. Read some good prose written in English, especially essays, whether from the field of architecture or from other disciplines. In architecture, search for articles written by architectural journalists and popular architectural historians who write for a general audience online, in newspapers, and in widely circulated magazines. Think about how they present arguments and describe buildings and places. Use websites, such as reference.com to improve your English vocabulary, syntax, and spelling.
Avoid the use of professional language unfamiliar to many of your intended readers, except where absolutely necessary. Above all, avoid jargon. In describing your subject matter you might want to use this assist: Imagine that you are describing the situation and setting to a person who is blind. How would you describe the details of what is and what you think there should be to them?
Whether or not English is your first, second, or fifth language, again, do not hesitate to review your essay with an experienced English language-speaker and writer. Use their suggestions as how to make your argument as clear, precise, and interesting as possible.
MOST IMPORTANTLY, HAVE FUN AND GOOD LUCK!
Proposals due anytime before midnight, GMT, February 1, 2015
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Meeting Room, Amalgamated Dwellings, New York City, USASpringsteen and Goldhammer, 1929
Boundary Street Estate Workshops, London, UK, London County Council, 1899
Vending stalls, Hismen Hin-Nu Terrace, Oakland, CA, USA, Pyatok Architects, 1995
Workshops, Perseigne Housing Estate, Alençon, France, Lucien Kroll, 1979
BDD Chawls, Worli, India, Bombay Development Department, 1920
Campus for Magic Bus, Panvel, India, 2007, RMA Architects
Cantagallo, Peru
Casa do Ataide, Paraisopolos, Sao Paolo, Brazil, URBZ Brazil, 2013
Casa do Ataide, Paraisopolos, Sao Paolo, Brazil, URBZ Brazil, 2013
Casa Familiar, San Ysidro, Califonia, USA, Estudio Teddy Cruz, Ongoing
Community Toilets for SPARC, Mumbai, India, RMA Architects, Ongoing
The Construction of Low-cost Community Centres. New Delhi, 1978.
Dolma Ling Nunnery and Institute, Sidhpur, Dharmasala, India, MN Ashish Ganju, 1998
Fez River Project, City of Fez, Morocco, Aziza Chaouni Projects, 2012
Jungle Gym, Shivagi Nagar, India, Aditya Vipparthi and URBZ, 2014
KPSP, Kibera, Kenya, Koukuey Design Initiative, Ongoing
Lima, Peru
Livonia Commons, Brooklyn, NY, Urban Quotient, 2011
Manila, Philippines
Metrocables of Medillin, Medillin, Colombia, Edison Escobar and María Patricia Bustamante, 2004
Metrocables of Medillin, Medillin, Colombia, Edison Escobar and María Patricia Bustamante, 2004
Mother and Child Care Centre, Dakshin Habal Village / Bagman Village, West Bengal, New Delhi, MN Ashish Ganju, 1979.
Nairobi, Kenya
Solar Initiative, Various Locations, Mexico, BaSiC Initiative 2003-2010
Sudhir House, Saki Naka, Mumbai, India, URBZ, 2013
Technical Facilitation of Indira Awas Yojana In Gujarat, India, Hunnarshala Foundation, 2011
Bangkok, Thailand
Manufactured Sites: Emergency Housing, Estudio Teddy Cruz
Low Cost Housing Programme, Karachi, Pakistan, Orangi Pilot Project, 1987
Floods: Relief And Rehabilitation, Sindh, Pakistan, Orangi Pilot Project, 2011
Dar es Salaam, Tanzania
Emma Cosio and her children are laying out the foundations of their house. Mexicali, Mexico, Christopher Alexander
Emma Cosio’s completed house in 1976. Mexicali, Mexico, Christopher Alexander
Jose Tapia’s house in 1976. Mexicali, Mexico, Christopher Alexander
Jose Tapia’s house in 1984. Mexicali, Mexico, Christopher Alexander
Mrs. Rodriguez in front of her home in 1984. Mexicali, Mexico, Christopher Alexander
The homes the five families built for themselves in 1976. Mexicali, Mexico, Christopher Alexander
Inside the Tapia’s home that they built with the help of students, 1976.
Tow Build - 1st workshop - Nansan Town Council Official brief 4th Architecture Students on the Planning & Housing challenges in Nabweru
Local market in the heart of Kampala
Local Resource and skills - use of sheet and timber to make house panel
View from Mutungo of the Ourskirts of Kampala
Participation - children sketching their dream house
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